I have to wonder about The Rhetorical Tradition after
reading Baca’s essay. It seems that there is no way to move outside of our
western-minded ideals and experience because of our language and the rhetorical
tradition that has been instilled through this language. Baca identifies the
dilemma as a “cultural double bind” wherein “either Mexican ‘rhetorics’ are so
different from Greco-Roman ones that Western thinkers cannot consider them
rhetoric proper” or “Mexican expression must become similar to and absorbed by
Western conceptualizations of persuasive speech” (128). It appears as if the
westerner’s inclination is to populate the discourse of other’s with their own
thoughts, words, and cultural ideas. We (and I use “we” to mean westerners as I
am one—and in writing “we” it seems as if I am trying to subjugate my reader)
have a tendency to translate rather than understand. We find the cognates of
Mexican rhetoric in our own classical understandings; we look at speech as a
form of persuasion rather than as poetics and metaphor and expression like
Anzaldua’s rhetoric. And in examining it this way, we end up either
populating/colonizing it as ours or we end up destroying it because of its
Otherness. (In this entry I am looking at the former. My previous post paid
more attention to the violence associated with these rhetorics.)
Earlier
in his essay, Baca outlines the problematic nature of reading Anzaldua’s work
as a translation: “[Borderlands] will be persistently misunderstood,
mistranslated, and misappropriated unless comprehended as ‘new’ rationalities
and practices that emerge from the conditions created by colonial legacies”
(124). To put it in terms of colonialism, I have to wonder if the Rhetorical
Tradition’s use of translation creates a power dynamic that subjugates
discourse and forces the Other to become western. Again, I want to relate this
to Bakhtin and his idea of dialogism—that a hegemonic dialogue disempowers and
shapes the utterances of the Other. The dominant voices of the Rhetorical
Tradition are still those Western thinkers that frontload the tome—Aristotle,
Plato, Vico, Bacon, Augustine, etc. Even the marginalized, rediscovered figures
of Aspasia contribute to the western hegemony of the Tradition. By the time we
encounter the rhetorics that step outside of the western mind, the tradition of
what-is-rhetoric and what-is-not-rhetoric has already been established. The
editors—part of the dominant discourse community—are the ones who give Anzaldua
her standing as a rhetor. They do it by inclusion, translation, and most
markedly, in their introduction.
Keep
in mind I am not necessarily chiding the editors (this time). But I think that
as humans we cannot step outside of ourselves and experience the other. We come
to develop our understandings through difference (at least that’s what Derrida
argues in my Lit Theory class). The editors seem forget their relationship to
these texts, and in forgetting, they populate the discourse with their Western
ideology. We can see an illustration of the power relations (literally) in
Pratt’s essay as she analyzes the changing dynamics of Andeans and Spaniards in
Poma’s New Chronicle (35-36). It seems like a basic thing—that to show
domination of something we put it above or first (think of winning a wrestling
match or where God sits in relation to humans), but this is forgotten in the
compilation of a text.
[Warning:
Another tangent on capitalism and oppression ahead.]
But
is it really forgotten? I have to go back to Eisenstein here and look at the
major moving force in Western culture—print. As Pratt notes, “the main
instrument that made bourgeois nation-building projects possible was print
capitalism” (37). So now I have to broaden my scope out a little more: What has
been colonized in the university? Are oral traditions populated by the Western move
to put everything into print? What about our tenure systems and how we perceive
“fact” over “hearsay” or “rumor”? I think it says a great deal about our
fixedness as westerners when we only come to look at Andean persecution in Poma’s
text (which was authored as a book to appeal to the dominant discourse
community) which was interpreted for us by Pratt. This is how we experience the
Other in the west.
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